Butch Cassidy and the Sundance Baby’s Oscar-successful tune was once practically lower from the movie

<em data-lazy-src=

As films of the Sixties flow, Butch Cassidy and the Sundance Baby ranks as one in every of the most iconic, guilty for establishing the immortal onscreen pairing of Paul Newman and Robert Redford.

One in all the qualities that produce it a normal is the irregular procure, composed by Burt Bacharach with inimitable Sixties pop flair, in stark disagreement to the more outdated strains of the Western genre. Nowhere are the idiosyncrasies of the procure more evident than within the movie’s Oscar-successful tune “Raindrops Retain Fallin’ On My Head,” which elements in a sequence the build Butch (Newman) playfully wheels Etta (Katherine Ross) around on a bicycle. However the tune practically didn’t produce the closing lower.

On the tenth annual TCM Basic Movie Festival on Saturday, Bacharach revealed that many at 20th Century Fox, which produced and launched the movie, had been no longer fans of the tune and its place in a Western. Even Redford didn’t actually obtain it on the origin.

“I heard he acknowledged after the image was once made and accomplished, Robert Redford acknowledged, ‘What the hell is that tune doing on this movie?’” Bacharach recounted to a crowd of festivalgoers. After the movie was once launched, studio head Richard D. Zanuck bumped into him in a restaurant and urged him the tune practically was once left on the cutting room flooring. “He acknowledged, ‘Let me repeat you something Burt, half of of the board of 20th Century voted to no longer appreciate that tune within the image.’ So he stood up for it and acknowledged, ‘I stand by that tune.’ It wasn’t exhausting to face by; it was once already predominant.”

Bacharach was once relating to the reality that the tune, as recorded by B.J. Thomas, had already been gaining traction on the Billboard charts, and the movie catapulted it to extra success, including an Oscar for Most racy Fresh Song.

When requested if he supposed for the tune to change into a success, Bacharach acknowledged that’s no longer ever how he approaches writing for a movie. “At the same time as you’re scoring a movie, it is wanted to service the movie,” he acknowledged. “You’ll want to provide the movie the ideal ingredient, no longer whether or no longer the tune’s going to be a success. It’s a byproduct if it appears to be like to be a success.”

Stefanie Keenan/Getty Photos

Butch Cassidy and the Sundance Baby was once easiest the 2nd movie he scored (What’s Original Pussycat? was once the main), and he praised director George Roy Hill for being musically minded and giving Bacharach and lyricist Hal David free reign in some ideas. Indeed, when Bacharach first met Hill in his place of business at Fox, the director was once enjoying Bach on a immense piano, making it evident to Bacharach that Hill knew tune in a sort many directors assemble no longer.

“He acknowledged, ‘What I desire to assemble with the movie, with this tune, I desire it to be main. There’s factual going to be sections of this movie the build the tune has got to face out — in four or 5 diverse locations,’” Bacharach acknowledged. “It was once unheard of that he let me assemble what I was once hearing or I was once feeling, and after we scored the movie on the lot at 20th, I don’t favor him coming out and saying, ‘Sever four bars out here.’ He was once factual k with the entirety that I came up with.”

Bacharach additionally pointed to passages like the “South American Getaway” musical sequence, which he called one in every of his favourite issues he’s ever written, as extra proof of how experimental Hill was once willing to enable him to be in scoring the image. The gamble paid off, earning Bacharach two Oscars that 365 days (Most racy Fresh Song and Most racy Fresh Ranking). “Raindrops” is additionally No. 23 on AFI’s checklist of the tip 100 songs in American cinema.

Connected issue: