Sport of Thrones co-executive producer Bryan Cogman penned the 2nd episode of the final season, “A Knight of the Seven Kingdoms,” which devoted an hour to quietly spending time with fan-well-liked characters earlier than their apocalyptic battle against the Military of the Ineffective. Whereas followers expected the six-episode final season to be movement-packed (and it ought to be), the producers also felt it used to be significant to boring down and luxuriate in the tag’s ensemble lineup of characters now that they’re together in one enviornment and dealing with what’s nearly without a doubt their final night all together.
“This episode is without a doubt a fancy letter to the characters,” Cogman says. “With most of our battles you derive about quarter-hour of gathered-earlier than-the-storm with the characters taking allotment in that battle taking inventory of the put they are of their lives earlier than the dam breaks. This is a complete episode of that so as that episode three can hit the bottom running.”
Below Cogman (who beforehand wrote a fantastic GoT re-peek viewing guide) provides some within the relieve of-the-scenes insight into most probably the critical episode’s greatest moments…
— Jaime’s informal trial: “This used to be no longer unlike the trial episode I tailored with Tyrion in season four. It used to be a probability to revisit Jaime’s arc and the a form of views that they beget got about him. Brienne’s level of view mirrors the target market. One factor I even must remind myself is that no longer every person on Sport of Thrones is watching Sport of Thrones. The characters handiest acknowledged what they know they handiest know their very beget experiences, however the natural factor for you to desire is to jabber ‘they’re both staunch guys, valid attach aside your variations.’ What’s fun about Brienne’s testimony is she’s the ultimate personality who’s bore glimpse to the unbelievable changes Jamie’s long past via over the course of the season — other than Tyrion who has his beget reasons for loving his brother and intellectual he’s a form of than how he’s perceived.”
— Jaime asking to assist below Brienne and Brienne being knighted. “Jaime does something here you potentially can by no manner attach a query to the Jaime of season 2 to achieve. For Jaime, to humble himself to assist below anyone is a mountainous factor. He would by no manner attain that for any one rather than her. Jaime has been a knight of the Seven Kingdoms his complete life, however he’s within the waste turning into the knight he’s been chasing.” And later, Jaime knighting Brienne within the Giant Hall: “We wished to capture the target market without warning. It’s no longer a ceremonial scene on a cliff at sunset with billowing capes. It comes out of a throwaway 2nd that even some of us within the room have is a silly memoir after which they snappily realize it’s no longer. It’s a enormous factor. It’s a 2nd of grace and sweetness within the midst of a nightmare and the principle reason I wished to put in writing this episode. The episode’s title, ‘A Knight of the Seven Kingdoms,’ refers to both Jaime and Brienne.” (By and by, EW requested Brienne actress Gwendoline Christie which scene she’s most happy with for your complete sequence and he or she said it used to be this one. “I have the knighting scene,” Christie replied. “I believed of it so grand and what it manner to me conceptually. It’s so emotional for the personality to derive something she desires and to be acknowledged.”)
— Arya and The Hound: “Arya asks, ‘When beget you ever fought for something or anyone rather than yourself,” and The Hound says, ‘I fought for you.’ There had been glimmers of ‘goodness’ — for lack of a bigger term — in The Hound earlier than he encountered Arya — without a doubt in his occasional security of Sansa. However that scene in season four when he fights for Arya he used to be protecting her in his mind. He believed Brienne used to be there to achieve her hurt. The tragedy of that scene used to be, all all over again, within the occasion that they’d valid viewed every other subplots they’d know to work together. Yeah, The Hound is continually going to be a killer, he’s by no manner going to include the life of peace that Brother Ray used to be preaching. However that time with Brother Ray fundamentally modified him and that seed of that used to be protecting Arya which grew into who he is now.”
— Arya and Gendry: “We requested ourselves what these kinds of characters would attain on their final night. For Arya, there’s an enchantment to Gendry and he or she’s fancy, ‘If I’m going to die, I would possibly per chance per chance as neatly peek what the total fuss is ready.’ She executes that stumble upon and Gendry is bigger than overjoyed to head along. We had been very careful to make obvious that Maisie [Williams] used to be overjoyed and every little thing used to be on her phrases. One factor I wrote namely when crafting that scene is ‘Gendry notes her scars.’ They’re from all of Arya’s encounters however most namely when The Waif tried to kill her. There are so many things Gendry doesn’t tag about Arya. They’re having this advantageous flirtation and beget this beget shared history they map upon however she’s very a form of from the Arya he ancient to hang. There’s an enchantment for him, however she’s also somewhat upsetting too.”
— Davos and Gilly tending to refugees: “The immediate dinky scene with Davos and Gilly tending to refugees streaming into Winterfell. They stumble upon a woman with half her face scarred who bears a resemblance to [Stannis Baratheon’s sacrificed daughter] Shireen. The name ‘Shireen’ is now not any longer said within the scene. However Shireen taught both Davos and Gilly easy techniques to study. This is an instance of how perfect [showrunners David Benioff and Dan Weiss] are. I wrote a scene the put Davos and Gilly derive on the field of intellectual easy techniques to study after which derive on the field of Shireen and how she taught them both. It used to be the staunch inspiration however it felt contrived. [With the showrunners’ notes it] evolved into this the put the scene is fully about Shireen, however neither of them are responsive to the affect she had on the other. It used to be an even trying come of acknowledging all of these threads between all of these characters that a entire lot of them are no longer responsive to and by no manner will most probably be responsive to — handiest we because the target market beget the privilege of being responsive to them.”
— Podrick’s song: “Songs had been significant within the past on the tag, however they’re extra reveal in [George R.R. Martin’s] books. Pod once extra surprises us after we uncover he has a delectable singing utter. It used to be fun to search out a reason to derive “Jenny of Oldstones” [a.k.a. “Jenny’s Song”] in there in a come that feels organic and appropriate. It’s no longer something we on the total attain, however I have it works. Dan wrote the [bulk of the] lyrics — about it being heat and having fellowship together and how they wish it can per chance maybe final longer, however it’s no longer going to.” The song can be covered by Florence + the Machine within the closing credit ranking.
— Jon tells Dany about his parentage. “Jon is heading off Dany the total episode because this bombshell has been dropped on him and he can’t even course of easy techniques to be within the connected room at the side of her. She senses a irregular stress and would possibly per chance per chance maybe’t tag why. What without a doubt upsets Jon is that he’s a blood relative to the woman he’s in fancy with. In the crypt, Jon is taken aback when without a doubt the first factor she says is acknowledging that he has a claim to the Iron Throne. And Jon’s instantaneous advise is the truth that that’s her instantaneous advise. [Kit Harington and Emilia Clarke] play it superbly. It’s a without a doubt advanced scene to pull off; so grand has to head on within the relieve of the eyes. However then the horn blasts and the Military of the Ineffective are at the gates.”
“A Knight of the Seven Kingdoms” is “nearly fancy a play,” Cogman provides, an episode that he used to be desperate to sort out yet proved to be a huge field. Cogman praised showrunners Benioff and Weiss for helping shape and edit the final script. “This used to be the most advanced script of the eleven I’ve written for Sport of Thrones,” he says. “The obliging field used to be no longer writing a Wikipedia page. In actuality, my first draft used to be a Wikipedia page. They arrive it works is the showrunners return a Final Draft file with notes written in red within the margins. They returned my first script with a sea of red.”
One suspects the episode will dramatically without a doubt feel even stronger when watched in tandem with the following episode of season 8 which chronicles the Strive against of Winterfell. “There used to be one of these breakneck hotfoot to season 7 that I used to be joyful when the [showrunners] proposed an episode of valid spending time with characters in this enviornment,” Cogman says. “I have it ought to make episode three — which is spectacular — the total richer. The 2nd that episode three starts we’re in stout a hundred% battle mode.”
Extra Sport of Thrones season 8, episode 2, “A Knight of the Seven Kingdoms” protection:
— Maisie Williams discusses her shock Gendry scene: ‘At the origin, I believed it used to be a prank…’
— ‘Sport of Thrones’ finds obliging battle trailer for season 8, episode three